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If we are to listen to what Frank Zappa said, we are not supposed to like the London Symphony Orchestra recording. But Frank’s castigation of the recording is largely based on what he describes as his less-than-enjoyable experience in working with the orchestra, an experience that tainted his perspective on orchestras in general for nearly all of the rest of his life.
To get a grasp on this, it’s worth reviewing the process, because it not only reveals all the work that goes into producing and recording symphonic music, but the composer’s ego as well, an ego just as big as the egos he criticizes.
In his autobiography, Zappa talks about how he used to get a great thrill writing music on paper, largely because as he wrote the notes on the paper, he could hear the tune in his head, which, he noted, is “a completely different sensation from the ordinary listening experience.”

http://frankzappasrevenge.blogspot.nl/2011/04/london-symphony-orchestra-vol-i-ii.html

Disc One
Bob In Dacron
• First Movement (5:36)
• Second Movement (6:32)
Sad Jane
• First Movement (4:47)
• Second Movement (5:02)
Mo 'n Herb's Vacation
• First Movement (4:47)
• Second Movement (10:04)
• Third Movement (12:50)

Disc Two
Envelopes (04:04)
Pedro's Dowry (10:25)
Bogus Pomp (24:31)
Strictly Genteel (06:56)